Interviews, Kathy fish, Nancy Stohlman

On Returning to My First Love: “Words.” A Conversation with Traci Mullins

Photo - Traci Mullins

We’re so excited that Traci Mullins is going to be joining us in Costa Rica this coming January! Here Traci talks candidly about honoring the 8-year-old little girl inside of her that loved to play with words and how she is finally allowing HER to take the lead again.

Nancy Stohlman: The biggest challenge most writers have is finding the time to write. How do you “retreat” in your day-to-day life in order to honor your creativity?

Traci Mullins: ​I have a taxing day job, so this is definitely a challenge. ​In order to stay on task as a self-employed person, I have to set office hours and stick to them lest I give in to the temptation to goof off all day! Therefore, writing in the mornings, as many people do, doesn’t work for me. Evenings are usually family time, so I’ve been setting aside an hour or two at the end of my workday to change environments (usually to a coffee shop) and give dedicated attention to my writing. I have to admit I don’t always  write, but I at least do something related to writing, whether it’s taking an on-line class, reading others’ writing, or brainstorming story ideas. At this point, only a few months into writing my own stories, I’m trying not to be too black and white by telling myself that only the time I’m producing is “real” writing time. For me, anything I can do to fuel my creativity counts and will hopefully pay off over the long haul.
Nancy: Tell us about your relationship with flash fiction?
Traci: ​I stumbled upon this genre in January, quite by accident, when I was poking around on the internet, looking for fiction writing resources. I help other people write books for a living, so unfortunately I abandoned my own creative writing efforts decades ago. Over Christmas I had a slow period at work and decided that it was time to reengage the young girl in me who loved to write little stories. When I read about Flash, it seemed like a perfect place to start because it didn’t intimidate me like writing something longer did. I’ve since discovered that it’s more challenging than I anticipated, but I love it! I like taking one moment or event and unpacking it with just the right amount of detail, and I especially like being able to finish a story fairly quickly. Certainly not every story I write is good, but once in a while I come up with something that makes me happy, the way writing stories did when I was a child.
 
Nancy: What is the best piece of writing advice you ever received?
Traci: I’d like to say that I follow the advice I hear most often: “Write something every day.” But I actually value most what I read in your interview with Gay Degani (thank you, Gay!): “You are what you believe in, where you’ve been, what you’ve seen, what’s hurt you, what’s made you stronger.” I have tried using other people’s writing prompts, but the stories I’m most pleased with are those that feel authentically mine. So I try to dig into my own life and trust that there are story seeds to be found. Coming up with story ideas is by far my greatest challenge as a writer, so I have to practice patience and hone my skill at listening to my own life and heart.
 
Nancy: What piece of your own writing are you most proud of? Where can we read it (if it’s available)?
Traci: ​Since I only started writing a few months ago, I don’t have a lot to show for myself–haha! But the first two stories I submitted did get accepted​, at Flash Fiction Magazine. The first, called “Saved,” was posted on line on 3/10/18. READ IT HERE
The one that means the most to me, however, is “Animal Pancakes,” and they haven’t given me the publication date for that one yet.
Nancy: React to this quote: “Play is our brain’s favorite way of learning.”–Diane Ackerman
 
​​Traci: You couldn’t have given me a better quote to ponder because the ONLY reason I started writing again was to honor the 8-year-old in me who used to write prolifically, as pure play. I still have all the stories I wrote back then. It saddens me that I abandoned that girl, for many different reasons, so as I begin to pick up the pen again, it’s critical that I honor her and allow her to lead the way. As a professional non-fiction writer, it’s hard not to take everything I write seriously; but I am committed to creating space for the young creative in me to experiment and goof off with words, which have always been my favorite playthings. As I’ve been doing this over the past few months, I have indeed learned a lot about the craft, but that is a secondary benefit.
Nancy: Tell us something we don’t know about you?
Traci: I have helped hundreds of authors write books, doing a lot of writing as well as being published myself in the process, but writing fiction requires a completely new type of risk. Going from expert to novice is scary, but with the support of other writers I hope to create a safe space for my own creativity to be nurtured.
A random fact: at age 45, I went to nursing school and practiced as an oncology and hospice nurse until recently, when I returned to my first love: words.
 
Traci Mullins has more than three decades of experience in coaching, editing, book doctoring, and collaborating on hundreds of non-fiction books, helping authors and speakers to formulate and convey messages close to their hearts in an accessible and compelling style. She has helped launch the careers of many first-time writers as well as developed long-term coaching relationships with veterans of the trade. She specializes in developing titles on topics of spirituality, psychology, relationships, health & wellness, and memoir and considers it a privilege to shepherd authors through the concept-shaping and writing process.  For more detailed information on her projects, see her profile on LinkedIn.
Interviews, Kathy fish, Nancy Stohlman, Uncategorized

“Free and Rebellious”–Jan Saenz on the Art of Flash Fiction and Collecting Weird Objects

Kathy Fish and I are thrilled that Jan Saenz will be traveling to Colorado this August to retreat with us! I chatted with Jan about writing, flash fiction, and collecting weird objects:

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Nancy Stohlman: The biggest challenge most writers have is finding the time to write. How do you “retreat” in your day-to-day life in order to honor your creativity?

Jan Saenz: It used to be so easy. I’d put the kids to bed, kiss the husband goodnight, sit on the couch and write like mad. The night would disappear and before I knew it, the sun was up and I was driving the kids to school in a stale, zombie state of mind. Those were the days.

I don’t know if it’s age or pressure or what, but nowadays retreating involves so much more premeditation. Literally. I have to sit and stew before I write. Coffee is a much. Quiet helps. I see writers in coffee shops on their laptops and I’m like, How are they doing that? And how do they manage to look cool while doing it? I look like a psychopath when I write. I talk to myself. I suppose that’s my most common retreat, mentally playing out scenes throughout the day. Listening to the flow of dialogue, saying it aloud. It’s looney.
Nancy: Tell us about your relationship with flash fiction?

Jan: I was a crap student in school. Slow reader. Bad speller. Creative writing was something I could do, but was never encouraged to do. I don’t remember teachers or professors ever saying, “Be brave! Forget the rules, ignore standards—write like you are in a dream.” Maybe that’s why I like flash. It feels free and rebellious. And the limited word count has a way of making the story feel almost dream-like. There’s a real art to it. I like working in the attitude of flash. Do what you want, but be picky about it. Say it all, but be brief. I love Puberty by Kat Gonso. V-Card by Meghan Phillips. The Hollow by Kathy Fish. That’s just a few.

 

Nancy: What is the best piece of writing advice you ever received?

Jan: “Write the book you want to read.” It’s a common quote, but for good reason. I went through a (miserable) phase about two years ago. For some reason, I could not write anything without first considering what a reader would want. I would change certain details in my stories so they would be more “acceptable” to a wider audience. I cut curse words. Toned down sex scenes. Worried about female likability. That shit did nothing but kill my writing. Nowadays, I try to focus more on editing the execution, not the personal taste. Because the taste is mine. Haha.

 

Nancy: What piece of your own writing are you most proud of? Where can we read it (if it’s available)?

Jan: Paper Darts recently published one of my pieces. It’s the weirdest, coolest feeling when editors you greatly admire come back and say, “Hey, I really liked this.” Like, wait what? You get so used to rejection, acceptance starts to feel foreign. You can read it here:

 

Nancy: React to this quote by Frank Capra: “A hunch is creativity trying to tell you something.”

Jan: I think most artists have a certain intuition when it comes to their craft. When inspiration pops up, they automatically recognize it. They study it. Obsess over it. And if they’re lucky, they’re able to follow through with it. Make it into something special. But there’s got to be a back-up plan, you know? I can’t sit around waiting for “hunches” or creative intuition to set in. I’ve got to live my life and experience things outside of writing. Otherwise my work suffers. It doesn’t evolve.

 

Nancy: Tell us something we don’t know about you?

Jan: I collect things. It’s weirdly therapeutic. Chess boards. Religious items. Afghan blankets. Old photographs of horses. Teeth. The list goes on, and yes it gets weirder. My best friend and I are really passionate about aesthetics in homemaking…that sounds so pretentious, but I swear we’re just giggly moms who geek-out at Goodwill. We have an IG account called Hoardhouse Vintage. If you like eclectic home decorating, check it out:

 

Jan Saenz is a writer and serial thrift shopper. She has work in Paper Darts, Bending Genres, and is currently working on her third novel, a dark comedy about amateur drug dealers and the female orgasm. She has a doctorate in useless pop-culture facts. For more information, visit www.jansaenz.com or follow @jan_saenz

Kathy fish, Writing Prompts & Craft Articles

Interrogating Your Scenes: A Revision Exercise

interrogation room

According to Jordan Rosenfeld, author of the wonderful Make a Scene: Crafting a Powerful Story One Scene at a Time :

“Scenes are capsules in which compelling characters undertake significant actions in a vivid and memorable way that allows the events to feel as though they are happening in real time.”

As a storytelling unit, your scenes must work. The following is a revision exercise aimed at honing your scenes and “keeping them honest.”

Go back and read a story or flash that is still in early draft phase. Locate ONE scene that you’d like to make more powerful or effective. In flash fiction that one scene may actually be your entire story (and note that a single scene does NOT a flash make unless it has some larger significance or resonance beyond the confines of that scene).

It’s often extremely useful to read a scene aloud so that you can “hear” where it falters.

Now ask the following questions of your scene:

Does the scene capture your reader’s attention?

Is the scene played out dramatically, i.e. with action and dialogue, perhaps in a new setting? You need to provide your reader with an experience, not a lecture.

Could more sensory detail be included to bring the reader into the scene? Do we have a sense of the characters inhabiting a specific space? (avoid “talking heads” syndrome)

What is the most important piece of information that needs to be revealed in this scene? How is the story moved along? (i.e., does the scene create movement in the story, however subtle?)

What does your character want at the beginning of this scene? Think of this as the scene’s “engine.”

Is there any complication or trouble in this scene? If not, add some!

And how does your character respond to this complication or trouble? This is a great way to show us who she is.

Look at the end of the scene. Does your reader now know more about the characters? Is she compelled to keep reading?

Could the dialogue be made sharper? Try cutting way back and see what it does for your scene. Avoid “ping pong” dialogue where every question is answered and it feels more like an interview than a conversation. Ruthlessly cut any “chatty” dialogue that doesn’t move the scene.

Are you making use of subtext? Using body language? Is there anything interestingly strange or out of place here? Sometimes adding an unexpected detail enlivens a scene and primes your brain to think outside the box.

Finally, see what happens to the overall story if you cut the scene entirely. Remember flash fiction writers: Interesting things can happen in the white space!

~Kathy

Kathy fish, Writing Prompts & Craft Articles

50 Random Sentences or How to Face the Blank Page

blank pageWe all have experienced that frozen feeling when faced with the blank page. This is an exercise (originally published in Lascaux Review) I have used often and it’s never failed to produce a piece of fiction:

Your goal is to write fifty sentences as quickly as you can. The sentences needn’t be connected in any way. In fact, it’s better if they aren’t. Allow yourself to write whatever comes to mind no matter how weird. You’ll want to number them as you go to keep track. You may start out with a bang, then flounder around sentence #20 or so. Don’t stop. If you have to, go ahead and write a few very simple sentences, like “the car is red” just to keep the words flowing.

When you have finished, go back and read the sentences aloud. Listen for the ones that have the most juice. Where does your voice falter? Which sentences evoke strong emotion? Which ones have their own peculiar beauty? Which demand further investigation?

Highlight these. 

Now write each good sentence at the top of its own fresh sheet of paper and write new sentences beneath it. You want to follow a line of thought if you can. Move forward into a narrative if it feels right, but don’t force it. Write whatever emerges without judgment. I promise, at some point you’ll feel a sense of urgency that tells you: There’s a story here. Now tell it.

~Kathy