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High Altitude Inspiration: Four Days in the Rocky Mountains with Special Guest…..

 Join us in August 14th – 18th, 2019 for

High Altitude Inspiration:

Four Days in the Clouds in Grand Lake, Colorado

Just Announced: Special Guest Randall Brown!

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Rise above your normal vantage point. Put your head in the clouds. See what inspiration waits for you when you take the birds-eye view, perched above Grand Lake and nestled in the grandeur of nature and the majestic Rocky Mountains.  

Commune with your fellow writers in a rustic, peaceful setting. Clear your mind. See the big picture. Open yourself to inspired creativity and expansion. Take your writing to new heights with us this August in Colorful Colorado.

Join us for an all-inclusive four-day retreat with two group sessions each day (including craft talks, generative writing exercises, workshopping sessions and one-on-one mentoring as well as plenty of inspired individual writing time), three delicious locally-sourced meals per day, sunset group writes and a final evening literary salon in the stunning chapel overlooking the lake. 

Now with a special BONUS session with renowned flash fiction writer and teacher Randall Brown! 

Randall Brown is the author of the award-winning collection Mad to Live, his essay on (very) short fiction appears in The Rose Metal Press Field Guide to Writing Flash Fiction, and he appears in theBest Small Fictions 2015 & 2017 & 2019The Norton Anthology of Hint Fiction, and The Norton Anthology of Microfiction. He founded and directs FlashFiction.Net and has been published and anthologized widely, both online and in print. Recent published work includes the novella How Long is Forever (2018)the poetry chapbook I Might Never Learn (2018), and the flash fiction collectionThis Is How He Learned to Love (2019).  He is also the founder and managing editor of Matter Press and its Journal of Compressed Creative Arts. He received his MFA from Vermont College.

Hope you can join us!

More info here:

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K.B. Jensen: On Books, Bucket Lists, and Dreaming Big in Italy

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Kathy Fish and I are excited that fellow Denverite K.B. Jensen will be joining us in Casperia, Italy for our first European flash fiction retreat! I chat with K.B. here about books, bucket lists, and what it’s like to be bi-cultural, among other things:

Nancy Stohlman: The biggest challenge most writers have is finding the time to write. How do you “retreat” in your day-to-day life in order to honor your creativity?

K.B. Jensen: To tell you the truth, I suck at that lately, which is why I’m excited to jumpstart my writing this spring with the Italy retreat. I definitely struggle to find the time to write these days, and I want to get back into the routine.

Writing a book is like putting together a puzzle, you have to keep chipping at it. The easiest time I ever had of it was when I was a stay at home parent and my kid was a baby and took naps. I never knew if I’d have thirty minutes to write or two hours, so I wrote my first novel like mad during her naptime. But now she’s older, and I work as a professional editor, publishing consultant and ski instructor, as well, so the writing time has become scarcer. What has been helpful has been to give myself permission to write and to write early in the day while my eyes are fresh. I recently literally wrote myself a permission slip for writing one hour daily. Lately, it has been mostly journaling and poetry, but it feels good, and it’s like playing the scales on a piano.

I also enjoyed doing challenges like FlashNaNoWriMo, where you write a short story a day. That was really helpful, Nancy. I love your prompts. Thank you for sending them daily in November.

Nancy: You are so welcome! And I relate SO much to the writing-during-naptime and I LOVE the permission slip! Can you tell us about your relationship to flash fiction?

K.B. I’m not married to it. I play with all sorts of lengths and genres. But I do love flash. It’s fun and playful. I also like writing concisely. I was a journalist for fifteen years, so I love brevity and getting to the point quickly.

Nancy: So what piece of your own writing are you most proud of? Where could we read it (if it’s available)?

K.B. That’s like choosing between children. I’m really proud of my books. Painting With Fire is more popular generally since it’s a murder mystery, but A Storm of Stories is probably my favorite child of the two. Both represent different times in my life with Painting With Fire drawing from all the crime stories I wrote as a newspaper reporter, talking to all those cops, neighbors and family members of victims. It is fiction, but it’s true to life.

A Storm of Stories is definitely more literary, poetic and metaphorical. It’s a complex book. I didn’t even realize I was writing it the way I was, but the themes just fit together into a bigger story. It’s a novel full of short stories with two strangers trapped in a car in a whiteout storm telling each other stories to stay alive. The stories all have the themes of love, craziness and impossibility. And then there’s the story and mystery of the two storytellers, as well. The things our stories reveal about us, what’s real and what’s made up. Storytelling can be so intimate and revealing. These main characters don’t know each other, but they do.

I also have an award-winning short story that’s speculative fiction about a woman who turns into her grandmother overnight, but I haven’t actually published it yet. You can find samples of A Storm of Stories and Painting With Fire on Amazon, if you want to get a feel.

Nancy: Since you have published several books—what are some of the most important things you have learned from that process?

K.B. Don’t publish in a vacuum. Never publish alone. I didn’t make that mistake, thankfully. I had a lot of help. I know a ton about publishing now that I wish I knew when I first started. I could write a whole book on that question. To sum it up? Go big. Dream big. Market big. Have a team.

I also learned to not be so scared. Weirdly enough, even after working as a journalist for magazines and newspapers, I used to be terrified of people reading my fiction. When my first book came out, I told myself no one would read it and that made me feel better. It was comforting. After 70,000 people downloaded it, I freaked out a bit, then let that fear go. So I have learned not to be scared of sharing fiction. I am still nervous about sharing poetry though. I guess I have it weirdly compartmentalized. At my first live-lit event years ago, my hands shook so badly, you could see the paper flutter. Hard to imagine now.

Nancy: That is such amazing advice, especially about fear. I agree–fear only holds us back. So proud of you and looking forward to seeing more in Italy. Have you been to Italy before? What are you most looking forward to?

K.B. I have always wanted to go to Italy. It’s been on my bucket list, but this is a first for me. I’m looking forward to meeting some cool fellow writers, getting some writing done, refocusing and being inspired by a beautiful country.

Nancy: React to this quote by Richard Branson: “The most talented, thought-provoking, game-changing people are never normal.” Are you “normal”?

K.B. Hell no. I’m definitely not normal. That’s a nice quote in that it spins it so positively.

Maybe that was why I was so afraid of sharing my fiction for so long. I was afraid people would read it and think I was crazy or weird. Then I realized, I am a little crazy and fairly weird, and that’s okay. Who wants to be normal? I like weird people too. Interesting characters.

Nancy: I agree! Okay, finally: Tell us something we don’t know about you?

It’s strange, in America, I feel Danish. In Denmark, I feel American. My dad hails from Copenhagen. He didn’t teach me any Danish as a kid. Maybe he wanted me to be American. I rebelled and learned it in college. After I learned, I recorded my grandfather’s World War II memories on tape on long distance calls, but they are all in Danish. I’d like to do something with those stories, as well one of these days, but the prospect of translating all that Danish is intimidating. One day. Another item on the bucket list. Maybe it will be historical fiction or true vignettes about his experiences. I’m not sure.

Nancy: Thank you so much for chatting with me, K.B.! I’m counting the days until our Italian retreat! Until then, where can we find your books?

K.B. You can find my books at:

A Storm of Stories

Painting With Fire

K.B. Jensen is an award-winning author, fiction editor, and publishing consultant with My Word Publishing. Her first book, Painting With Fire, an artistic murder mystery, hit the bestseller list for crime novels on Amazon and has been downloaded more than 70,000 times. Her second book, A Storm of Stories, veers into more literary territory with themes of love, craziness and impossibility. K.B. grew up in Minneapolis and moved from Chicago to Littleton, CO., with her husband, daughter and rescued border collie/lab mix. In her spare time, she enjoys teaching downhill skiing, writing poetry and traveling the world. For more information, visit www.kbjensenauthor.com.

P.S Our Springtime in Italy retreat is Sold Out, but we have room in our Flash Fiction Summer Camp (Colorado) and our just announced Writing Wild in Costa Rica 2020 retreats! Find out more:

Flash Fiction Summer Camp in Colorado: August 14-18, 2018

Writing Wild in Costa Rica 2020: March 21-27, 2020

 

Interviews, Uncategorized

Truth in Art: A Chat with Jeffrey Spahr-Summers

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Kathy Fish and I are thrilled that Jeffrey Spahr-Summers is going to be joining us in Colorado this August for our Flash Fiction Summer Camp in the Rockies! I chat with Jeffrey a bit about his process, his writing, and his advice for writers, and the meaning of “truth” in art.

Nancy Stohlman: The biggest challenge most writers have is finding the time to write. How do you “retreat” in your day-to-day life in order to honor your creativity?

Jeffrey Spahr-Summers: I’m an undisciplined writer. I do most of my writing in bits and pieces on the run. Poetry and flash fiction suit me in that respect. I find that I am more disciplined with photography.

NS: Tell us about your relationship to flash fiction?

JSS: I have written poetry for over 40 years. About four or five years ago I started writing short memoir stories, once there I turned to flash fiction. I am still experimenting and learning the craft.

NS: What piece of your own writing are you most proud of? Where could we read it (if it’s available)?

JSS: My favorite is a poem called, “Talk About my Girl’, which can be found in my book, ‘Until Their Bellies Bulge and Shine’. It was also printed in a literature magazine called, ‘Hammers’, in the early 1990’s. The poem can also be found on my website.

NS: You have published several books–what have you learned from that process?

JSS: Proofreading. Proofreading. Proofreading. Writing the book is only the beginning of the work. Books seem to grow along with you.

NS: You live in Colorado already–have you been to Grand Lake before? What are you most looking forward to at our writerly summer camp?

JSS: I haven’t been to Grand Lake since I was a child. I’m looking forward to the retreat to nature and the opportunity to interact with other writers.

NS: React to this quote by Gustave Flaubert: “Of all lies, art is the least untrue.” What do you think about the “truth” of art?

JSS: I think the truth in art lies in what compels us to create art in the first place, or to create certain pieces, as it were.

NS: Tell us something we don’t know about you?

JSS: I have moved 44 times, between 24 cities or towns, in my life.

NS: Anything else you want to add?

JSS: I am grateful to be participating in this retreat.

 Jeffrey Spahr-Summers is a poet, writer, photographer, digital artist, publisher, and editor living in Boulder, Colorado.

Websitejeffreyspahrsummers.com

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Wild Life: Collected Works 2003-2018 by Kathy Fish is Required Reading for Writers

Fish - Cover Final.inddIf you’ve been waiting for Kathy Fish to release a new book, the wait is over! In Wild Life: Collected Works 2003-2018 (Matter Press, 2018), we get the old and the new and the best of both worlds: some of her favorite and most loved stories like “Space Man” or “Margaret and Beak Discuss Jazz For the Last Time” alongside her newer pieces, like “Collective Nouns for Humans in the Wild”, which opens the book and was chosen for Best Small Fictions in 2018. Think of Wild Life: Collected Works as a digitally remastered greatest hits collection with bonus, never before heard tracks!

All Kathy Fish’s work has a signature elegance, and a sort of strange, Midwestern fireflies-Dairy Queen-front porch charm permeates the pages—but don’t be fooled. She is graceful while she cuts deep. She can convey the gamut: nostalgia, horror, tenderness and tragedy in a few light-handed sentences, full characters in a few well-placed strokes. Kathy’s work has real heart, and her insights into the simple, beautiful, disturbing, bittersweet human condition are always on target. Her work leaves you yearning for something elusive, a familiar memory just out of reach.

From “A Room With Many Small Beds”:

Bobby Kennedy has been shot. It’s two o’clock in the afternoon and we have not eaten. Pearl sits cross-legged in front of the television with her cigarettes and her nail file. Her hair is set in empty frozen orange juice cans. She looks like a space alien or a sea creature. The neighbor kid is standing on our front lawn. I ask him what he wants. Get the lady, he says. Pearl goes to the screen door. Has the new baby been born, she asks. The kid hops from foot to foot like he has to go to the bathroom. I tug on Pearl’s shirt. His mother’s dead, I whisper.

efysswb5_400x400If you are new to Kathy Fish this is an amazing introduction to curated works spanning more than 15 years of her prolific career. And if you are already a fan you’re going to want to add Wild Life: Collected Works 2003-2018 to your Kathy Fish collection pronto.

Buy it from Matter Press HERE

Buy it from Amazon

Find out more about Kathy Fish on her website: