Interviews

Paris, New York, Grand Lake…Taking Inspiration Where You Find It: An Interview with Jill Loomis

Nancy and I are so pleased to introduce you to Jill Loomis, who nabbed the last spot for our upcoming High Altitude Inspiration retreat in Grand Lake, Colorado. (If you missed out, but are interested in our other retreats, check out Writing in the Blue Zone, our March, 2020 retreat in Costa Rica!)

Hi Jill! Thanks so much for taking the time to chat with me. We’re so excited for this August retreat in gorgeous Grand Lake. Have you been to Colorado before?  

I froze watching the Broncos at Mile High Stadium years ago.

Ha, sounds fun! What are you looking forward to in our time together in Grand Lake for this retreat?

Learning from experienced writers face to face.  Enjoying everyone’s company and the beauty of Grand Lake.  Gaining more confidence about my own writing.

How do you make time for writing in your life?

I wrote like a madwoman morning noon and night during two online flash workshops.  Didn’t make my bed or wash the dishes until I’d posted a piece or commented on another writer’s story.  On my own I might sit in the park and write, revising in the evening at home.    

What is the most inspiring place you’ve visited to date?

Lucky me I lived and worked in Paris, and I’m still besotted, but I love New York.  Here I get inspiration for characters when I’m riding the subway or just paying attention to what’s going on around me.

Oh wow, that IS lucky to have lived in Paris and now in New York! Both cities are beautiful and fascinating and great for people-watching. Now, I always ask this: Is there something fascinating / unusual / funny / great whatever that you’d like to share about yourself? 

 I was a ballroom dance hostess on a cruise ship.

Ah, I love that! Sounds like something that would provide tons of fodder for flash fiction writing!

Jill Loomis is a New Yorker and a newcomer to flash fiction.  She has the luxury of writing for pleasure after a long career raising funds for nonprofits.  Jill has been inspired by Meg Pokrass and the terrific writers in Meg’s online workshops, and she recently dared to submit several stories for publication.

NOTE: Our Grand Lake Retreat is now sold out, but spaces remain for our March, 2020 Writing in the Blue Zone Retreat in Costa Rica. We’d love to have you join us!

Writing Prompts & Craft Articles

“Flash Fiction as Language Art” by Anne E. Weisgerber

One of my favorite sentence and language level writers is our own Anne E. Weisgerber, whom we’re delighted will be joining us (again) in Colorado this August for our High Altitude Inspiration Retreat (Note: There is ONE remaining room available for this & still time to register!). Below is an excerpt from Anne’s essay, “Flash Fiction as Language Art” which ran in Smokelong Quarterly:

I only attest that the act of forming sentences and scenes, the punctuation, the pushed and brushed pigment of vowels and verbs and slow-motion ninja gerund phrases has become a vocation. Flash is an artist’s medium; writing it places one where people care about art.”

“I realized I could craft flash miniatures that added up to something bigger if I intended them to, like dabs in a Seurat painting. In this way, my reader at novel distance will see the rose window, hear the orchestra, experience the video wall of calibrated gifs but within scenes, each pane, each cellist, each meme stands alone. A reader might experience my novel as a flash choir, or pointillism, or whatever it winds up being. Flash forces writers to have the nerve to say: THESE WORDS ARE BEAUTIFUL. So I find myself now writing a huge novel in meditative, colorful spoonfuls. I must remember to look at images my words create, both at the linseed tip of my nose and at twenty skeptical paces. Up close, I worry: How can I honor this life with my writing? At practical, admission-paying distances, I fret: What’s in it for my reader?

You may read the whole terrific essay here at Smokelong Quarterly.

A.E. Weisgerber is from Orange, NJ and has recent/forthcoming work in 3:AM, Yemassee, DIAGRAM, Matchbook Lit, Gravel Mag, and The Alaska Star. She is a 2018 Chesapeake Writer, 2017 Frost Place Scholar, 2014 Reynolds Fellow, and Assistant Series Editor for the Wigleaf Top 50. She is writing her first novel. Follow @aeweisgerber or visit anneweisgerber.com 

NOTE: There is ONE room remaining (for one or two) and still time to join us for High Altitude Inspiration in Grand Lake in August. Join us!

Interviews

Life, Chaos, & the Sublime: An Interview with Barbara Greenstein

Nancy and I are delighted that Barbara Greenstein will be joining us in August for High Altitude Inspiration Retreat in Grand Lake (Note: There is ONE room still available for one or two to share and we’d love for you to join us!).

  • Hi and welcome to our blog, Barbara! Regarding the upcoming gathering in Grand Lake, what are you most looking forward to?

I’m new to Flash Fiction – I’ve haven’t intentionally written in the genre.  But I’ve been writing small pieces for years, and I’m excited to be part of a gathering at 8000 feet all about words and stories and creativity.  Sounds like heaven to me. 

  • What are the themes or topics or images that seem to recur in your writing, i.e., what are your writerly obsessions?

My writing often deals with family, with illness, with trees and landscape, and with human interaction. I believe Grace Paley’s observation that a good story is found at the intersection of two stories.  I’m often looking for the intersection of the transgressive and the sublime.  I want to know what brings you to your knees.  One of my family members has had a serious chronic illness for over 25 years.  While I can’t change it, I can describe it, and be a witness. When my world becomes fraught, I try to take a step back and deal with the chaos in a writerly way. 

  • Wow, yes, I love that from Grace Paley (one of my favorite writers) and I love what you say here about “the intersection of the transgressive and the sublime.” It makes me eager to get to know you and your writing more! Now…Solitude vs. Community: what is your own perfect balance of these two when it comes to your writing life?

One week before the Twin Towers fell I had the great good fortune to join a weekly writing workshop.  Since then I’ve been meeting with the same teacher (Irene Borger) and largely the same people. We’ll listen to poetry, or sentences, or a particular approach, write for 45 minutes or so, and then read our work aloud. Speaking and hearing my own words, and getting immediate feedback always changes how I perceive what I’ve written. I’ve learned that I can be funny – because people laugh.  And of course we know each other so well by now, the group is infused with trust and love.  So I’ve benefitted greatly from having a writing community.  I’ve done a poorer job at creating my own space to write.  I’m hoping that the Flash workshop will open some floodgates, or at least doors. 

  • Oh, I know it will, Barbara! And you’re very lucky to have a regular writing group like that. Is there an author you’d love to meet someday? And why?

Barry Lopez.  Arctic Dreams changed the way I saw the world.  His latest book, Horizon, is stacked near my bed but as yet unread.  I love the way Lopez combines a deep look at the natural world with history and anthropology and biology and art and personal reflection. He draws threads from many disciplines to weave the world into something glittering and whole, all done in lyrical language.  I’d also place Robert McFarlane and Peter Mathiessen in this group.  And Rebecca Solnit, as a wide-ranging public intellectual, writing about landscape and art and humanity.  Any of them, give me any of them to meet, to listen to.   

  • Oh yes. I’m imagining a very large table with food and drink and favorite authors gathered. Heaven! Barbara, is there something about you that you’d like to share? 

I love baseball.  And so far it’s been a good year to watch the Dodgers, though I worry about their relief pitching.

This last spring I took two classes at UCLA on writers in early modern Italy.  In one class we read Dante, Boccachio, Machiavelli, and about Michaelangelo, Rafael, Leonardo, Galileo.  The second class was on women’s voices from that same period.  Reading primary sources (in English translation) of women from the 1400s – 1600s is an education in female intellect and oppression and how far we have, and haven’t come in half a millennium.  

  • What’s the best piece of writing advice you’ve received?

At the Port Townsend Writer’s Conference, 2004, from the poet Olga Broumas, at a craft lecture. “Rinse your words.  Hold up the page and let the words and the syllables you don’t need fall off the page.”  

Wow, I love that advice. Seems especially apt for flash fiction. Thanks so much for your time, Barbara! See you soon in Grand Lake!

Barbara’s Bio: A degree in Anthropology.  Grad school:  Paleolithic archaeology, then primate behavior.  Six months in Puerto Rico watching rhesus monkeys.  Drop out with Imposter Syndrome.  Law school.  Work at the Santa Monica Rent Control Board, at Legal Aid, in the City Attorney’s Office.  Poverty law, landlord tenant, employment law.  Every case a story.  Join a writer’s workshop. Married with children.  A boy and a girl, now 35 and 33.  A husband with multiple sclerosis.  Retire after 30 years.  Two dogs, a fluffy white Marilyn Monroe of dogs, and a crazy Pekingese who talks to me.  A stint at the Getty Villa, immersed in myths and spells and ancient lore.  A house with a secret garden:  A tough job, watching the light, but somebody has to do it. 

Note: There is ONE remaining room available for our Grand Lake Retreat (for one or two to share). Consider joining us! We’d love to have you!

Interviews

Going with the Flow: A Conversation with Writer, Francine Witte

Writer Francine Witte will be joining Nancy and me in Grand Lake for our High Altitude Inspiration Retreat. We’re so excited to have her! Francine took some time to chat with me about all things flash.

Hi Francine! First off, I’m interested to know if you’ve ever visited Colorado before.

I have been in Colorado several times. The first time was when I hitchhiked cross country and stayed in a commune in Boulder for a few days. My boyfriend and I broke up there, and I certainly didn’t want to hitchhike back alone, so my parents wired me money, and I took my very first airplane ride.  Most recently, I was in Denver for the 2010 AWP conference. Colorado is so beautiful, and I am looking forward to returning this summer.

You have a fascinating history with the state then. What do you hope to get from our upcoming retreat?

Living in New York City, I am seldom around nature and open sky. So there’s that. And I am really looking forward to having nothing to think about but flash, flash, flash for a couple of days. I am also going to welcome the community of other flash fiction writers. I know many poets in my not-virtual life, but most of the flash fiction writers I know are from Facebook and Twitter. It will be nice to speak in more than 140 characters. (Though with flash, who knows?)

What is a favorite flash of your own?

I like my flash “How to Teach Your Cat to Talk.” It appeared in Jellyfish on October 8, 2018.

Ooh, I love this flash, especially:

“Place his little cat paws against your throat. You don’t like anything touching your throat, but get over it. Your husband is hundreds of miles from here. Make sounds so that your cat can feel the vibrations. Tell him that this is what talking will feel like. Compare it to how the house felt, shaking like a fist.”

What lessons about writing did you learn from being a high school teacher for 20 years?

I learned to write quickly and in small bits. As a teacher, you learn to “monitor and adjust.” There’s a fire drill in fifth period, so your lesson has to change. Half the class is on a field trip, so your lesson has to change. Nobody understood what you were talking about yesterday, so… Well, I learned to apply that to my writing. Go with the flow. Your stories can change right there in the middle. You might only have ten minutes to write. You just always have to monitor and adjust. This is one of the things I like best about flash. You can do a lot in a short amount of time, and flash allows for sudden changes.

That’s so interesting about learning to “go with the flow.” Seems like that would transfer nicely to all aspects of life, including flash writing. Thanks so much for chatting, Francine. We look forward to seeing you in Grand Lake this summer!

Francine Witte is the author of four poetry chapbooks, two flash fiction chapbooks, and the full-length poetry collections Café Crazy (Kelsay Books) and the forthcoming The Theory of Flesh (Kelsay Books)  Her play, Love is a Bad Neighborhood, was produced in NYC this past December. Her Novella-in-Flash, The Way of the Wind, is forthcoming from Ad Hoc Press. She lives in NYC.

Note: A (very) few spaces remain for our beautiful Grand Lake Retreat. We’d love to have you join us for four days of writing and workshopping and inspiration in the Colorado Rockies!

 

 

 

 

 

 

Interviews

On the Expansion & Resonance of Flash & More: A Chat with Chelsea Stickle

Photo by Gail Werner

Nancy and I are excited that Chelsea Stickle will be joining us for our High Altitude Inspiration Retreat in Grand Lake this August! Thanks so much, Chelsea, for taking some time to chat with me. First, what attracted you to the idea of coming to the retreat in Grand Lake?

I can get mired in the day-to-day and sometimes a shake-up is exactly what’s needed. I’ve only been writing flash seriously for about a year, so four days filled with writing and instruction sounds ideal.
What do you love and/or find challenging about flash fiction?
As a reader, I love feeling like I’ve experienced a whole life, a whole world in less than 1,000 words. There’s a feeling of completeness, expansion and resonance that hits harder. As a writer, I love getting to the point. You can’t mess around in flash fiction. You’re in it. How are you going to get out?
What piece of your own writing are you most proud of? Where could we read it (if it’s available)?
I have a story called “Household Extractions” in Five on the Fifth. I spent years trying to tell this story and I kept failing to get it right. I took a Bending Genres class with Bud Smith that was about writing in short bursts, which forced me to stop over-thinking it. I ended up writing for much longer than I was supposed to, but I finally wrote the story I wanted.
Wow, I love this. You allow the strangeness of it to just be. You don’t pass judgment or editorialize for the reader. That makes it all the more effective to me. I’m so glad you linked it as I’d not seen it before. No wonder you’re proud of it! Very strong writing. 
I’d be interested in your thoughts on this Amy Hempel quote, Chelsea:

“I have an increasingly open sense of what a story is. Why not make room for more instead of being restrictive? There are so many kinds of stories! Any time you hear someone say, ‘That’s not a story,’ I think you should question the person, not the story.” ~Amy Hempel

I’ve been reading slush, so I have to admit that I’ve said, “That’s not a story” recently. Which isn’t to say that it couldn’t be a story, but that it isn’t a story yet. There has to be something that differentiates it from an anecdote or a detail. A list of errands can be a story, but there has to be an emotional, core need pushing through. (For example, a post-breakup to-do list would be very revealing.) If you can do that, then anything can be a story.

Totally agree and I bet Amy Hempel would too!
Is there anything strange/funny/quirky/odd/special about you that we wouldn’t know and that you’re happy to share? 
I have loose ligaments, which means the joints that hold my bones aren’t as firm as they could be. So my bones slip out of place. Something’s almost always partially dislocated. It’s not the kind of thing you can see when you look at me, but my joints can make a lot of noise. I could write a symphony with all the cracks, clicks and thunks. So hiking sounds cool, but I’m going to stay inside.
Ah, “somethings almost always partially dislocated.” We won’t make you hike then! But very much looking forward to working with you in lovely Grand Lake this summer, Chelsea.

Chelsea Stickle writes flash fiction that appears or is forthcoming in Jellyfish ReviewCleaver, The Nottingham Review, After the Pause, Five on the Fifth, Crack the Spine and others. She lives in Annapolis, MD with her black rabbit George and an army of houseplants. Find her on Twitter @Chelsea_Stickle.

Note: A few spaces remain for our August High Altitude Inspiration Retreat in Grand Lake Consider joining us and allowing yourself to be inspired and energized in a gorgeous setting.