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Know anyone who could use a half-price writers’ retreat? Special deal on Writing Wild in Costa Rica!

Limited-Time Opportunity for a Half-Price Flash Fiction Retreat in Costa Rica, March 2020!

With the purchase of one all-inclusive retreat package, get a 2nd one for half off!

Invite a friend to join you for our Writing Wild in Costa Rica Retreat March 21st-27th & gift them with the half-priced fee (as low as $725 all-inclusive) OR register together and split the savings! We can only extend this deep discount to the first TWO pairs of writers to register. If interested, act soon! 

Your all-inclusive fee includes:

  • Six nights accommodation 
  • Three Delicious, Ayurvedic Meals Per Day
  • ALL workshops + One on One Consultations
  • Airport Pick-Up & Drop-Off
  • Final Night Celebration & Salon Reading Under the Stars
Samadhi Suite

“This retreat EXCEEDED all my expectations. Gorgeous location, perfect weather, delicious food & friendly, accommodating staff. I’m a flash fiction writing newbie and learned so much from everyone. I will carry the knowledge and wonderful memories with me forever!” ~Lucy Merklee

More About Writing Wild in Costa Rica
All-Inclusive Fees & Accommodations
Register / Request More Information 

 

We’ve also just opened registration for our 3rd annual Colorado Retreat. Check it out: High Altitude Inspiration in the Great American West for August 19th-23rd! 

Kathy fish

Creativity & Connection in Grand Lake, CO: Reflections on Our Fourth Flash Fiction Retreat

“This retreat provided such a great learning experience with innovative lessons from some of the industry’s finest writers in a beautiful setting, and surrounded by a supportive bunch of friendly, like-minded people. Truly a once-in-a-lifetime experience that I will remember fondly.” ~Ryan Stone, Melbourne, Australia

Hard to believe it was just over a week ago that Nancy and I were in Grand Lake, with a fabulous group of writers from both coasts of the U.S. and in between, and as far away as Canada and Australia. It truly was, as participant Ryan Stone put it, “a once-in-a-lifetime experience” for us too!

Maybe it was the setting: Grand Lake, adjacent to Rocky Mountain National Park, is one of the prettiest places in an already gorgeous state. And Shadowcliff Lodge is so perfectly rustic and homey. Maybe it was the staff: Friendly, youthful, and energetic, from all over the country, most of them living and working at the lodge for the summer. So eager to help us out and answer questions or just chat about their favorite fictional characters. 

Mostly though, I have to say, it was the writers who carved out this time in their busy lives to come to Colorado and write with us. There was such easy camaraderie amongst this group of 13 plus Nancy and me. It’s what happens when writer/artist types “find their tribe” but especially when you get a bunch of flash fiction writers all in one place (I’m thinking, too, of the Flash Fiction Festival in Bristol last June–same feeling)!

Highlights: The pre-retreat F-Bomb reading in Denver, featuring Randall Brown. All the wildlife: fox, moose, lots of cute chipmunks, hummingbirds flitting around the feeders and…one notable (but safe) encounter with a black bear. Thursday evening around the campfire on The Point, overlooking the town of Grand Lake and the lake itself, nestled amongst the mountain peaks. Talking and laughing and watching the sun go down and the full moon rise, illuminating the clouds. Whiskey and conversation late into the night in the top floor great room of Cliffside Lodge. The gentle sounds of water rushing over rocks in the creek that cuts through grounds of Shadowcliff. We ate and slept well, woke up to coffee brewing in the dining room of Rempel Lodge. Our writing sessions in the Chapel, with that stunning view. And our final night Salon/Reading in that same space, with everyone reading their work, champagne flowing, Nancy’s French pop songs playlist, and a cozy fire in the huge stone fireplace.

I loved that this group was so varied in their experience with flash fiction. Some had been writing and publishing it for years, some were very new to the form and excited to learn more. To a person, they were kind, warm, generous, and fun to be around. Everyone wrote their hearts out. I really believe Nancy and I get as much from these retreats as our participants. I came away feeling so inspired and grateful. 

 

Interviews

Paris, New York, Grand Lake…Taking Inspiration Where You Find It: An Interview with Jill Loomis

Nancy and I are so pleased to introduce you to Jill Loomis, who nabbed the last spot for our upcoming High Altitude Inspiration retreat in Grand Lake, Colorado. (If you missed out, but are interested in our other retreats, check out Writing in the Blue Zone, our March, 2020 retreat in Costa Rica!)

Hi Jill! Thanks so much for taking the time to chat with me. We’re so excited for this August retreat in gorgeous Grand Lake. Have you been to Colorado before?  

I froze watching the Broncos at Mile High Stadium years ago.

Ha, sounds fun! What are you looking forward to in our time together in Grand Lake for this retreat?

Learning from experienced writers face to face.  Enjoying everyone’s company and the beauty of Grand Lake.  Gaining more confidence about my own writing.

How do you make time for writing in your life?

I wrote like a madwoman morning noon and night during two online flash workshops.  Didn’t make my bed or wash the dishes until I’d posted a piece or commented on another writer’s story.  On my own I might sit in the park and write, revising in the evening at home.    

What is the most inspiring place you’ve visited to date?

Lucky me I lived and worked in Paris, and I’m still besotted, but I love New York.  Here I get inspiration for characters when I’m riding the subway or just paying attention to what’s going on around me.

Oh wow, that IS lucky to have lived in Paris and now in New York! Both cities are beautiful and fascinating and great for people-watching. Now, I always ask this: Is there something fascinating / unusual / funny / great whatever that you’d like to share about yourself? 

 I was a ballroom dance hostess on a cruise ship.

Ah, I love that! Sounds like something that would provide tons of fodder for flash fiction writing!

Jill Loomis is a New Yorker and a newcomer to flash fiction.  She has the luxury of writing for pleasure after a long career raising funds for nonprofits.  Jill has been inspired by Meg Pokrass and the terrific writers in Meg’s online workshops, and she recently dared to submit several stories for publication.

NOTE: Our Grand Lake Retreat is now sold out, but spaces remain for our March, 2020 Writing in the Blue Zone Retreat in Costa Rica. We’d love to have you join us!

Writing Prompts & Craft Articles

“Flash Fiction as Language Art” by Anne E. Weisgerber

One of my favorite sentence and language level writers is our own Anne E. Weisgerber, whom we’re delighted will be joining us (again) in Colorado this August for our High Altitude Inspiration Retreat (Note: There is ONE remaining room available for this & still time to register!). Below is an excerpt from Anne’s essay, “Flash Fiction as Language Art” which ran in Smokelong Quarterly:

I only attest that the act of forming sentences and scenes, the punctuation, the pushed and brushed pigment of vowels and verbs and slow-motion ninja gerund phrases has become a vocation. Flash is an artist’s medium; writing it places one where people care about art.”

“I realized I could craft flash miniatures that added up to something bigger if I intended them to, like dabs in a Seurat painting. In this way, my reader at novel distance will see the rose window, hear the orchestra, experience the video wall of calibrated gifs but within scenes, each pane, each cellist, each meme stands alone. A reader might experience my novel as a flash choir, or pointillism, or whatever it winds up being. Flash forces writers to have the nerve to say: THESE WORDS ARE BEAUTIFUL. So I find myself now writing a huge novel in meditative, colorful spoonfuls. I must remember to look at images my words create, both at the linseed tip of my nose and at twenty skeptical paces. Up close, I worry: How can I honor this life with my writing? At practical, admission-paying distances, I fret: What’s in it for my reader?

You may read the whole terrific essay here at Smokelong Quarterly.

A.E. Weisgerber is from Orange, NJ and has recent/forthcoming work in 3:AM, Yemassee, DIAGRAM, Matchbook Lit, Gravel Mag, and The Alaska Star. She is a 2018 Chesapeake Writer, 2017 Frost Place Scholar, 2014 Reynolds Fellow, and Assistant Series Editor for the Wigleaf Top 50. She is writing her first novel. Follow @aeweisgerber or visit anneweisgerber.com 

NOTE: There is ONE room remaining (for one or two) and still time to join us for High Altitude Inspiration in Grand Lake in August. Join us!

Interviews

Life, Chaos, & the Sublime: An Interview with Barbara Greenstein

Nancy and I are delighted that Barbara Greenstein will be joining us in August for High Altitude Inspiration Retreat in Grand Lake (Note: There is ONE room still available for one or two to share and we’d love for you to join us!).

  • Hi and welcome to our blog, Barbara! Regarding the upcoming gathering in Grand Lake, what are you most looking forward to?

I’m new to Flash Fiction – I’ve haven’t intentionally written in the genre.  But I’ve been writing small pieces for years, and I’m excited to be part of a gathering at 8000 feet all about words and stories and creativity.  Sounds like heaven to me. 

  • What are the themes or topics or images that seem to recur in your writing, i.e., what are your writerly obsessions?

My writing often deals with family, with illness, with trees and landscape, and with human interaction. I believe Grace Paley’s observation that a good story is found at the intersection of two stories.  I’m often looking for the intersection of the transgressive and the sublime.  I want to know what brings you to your knees.  One of my family members has had a serious chronic illness for over 25 years.  While I can’t change it, I can describe it, and be a witness. When my world becomes fraught, I try to take a step back and deal with the chaos in a writerly way. 

  • Wow, yes, I love that from Grace Paley (one of my favorite writers) and I love what you say here about “the intersection of the transgressive and the sublime.” It makes me eager to get to know you and your writing more! Now…Solitude vs. Community: what is your own perfect balance of these two when it comes to your writing life?

One week before the Twin Towers fell I had the great good fortune to join a weekly writing workshop.  Since then I’ve been meeting with the same teacher (Irene Borger) and largely the same people. We’ll listen to poetry, or sentences, or a particular approach, write for 45 minutes or so, and then read our work aloud. Speaking and hearing my own words, and getting immediate feedback always changes how I perceive what I’ve written. I’ve learned that I can be funny – because people laugh.  And of course we know each other so well by now, the group is infused with trust and love.  So I’ve benefitted greatly from having a writing community.  I’ve done a poorer job at creating my own space to write.  I’m hoping that the Flash workshop will open some floodgates, or at least doors. 

  • Oh, I know it will, Barbara! And you’re very lucky to have a regular writing group like that. Is there an author you’d love to meet someday? And why?

Barry Lopez.  Arctic Dreams changed the way I saw the world.  His latest book, Horizon, is stacked near my bed but as yet unread.  I love the way Lopez combines a deep look at the natural world with history and anthropology and biology and art and personal reflection. He draws threads from many disciplines to weave the world into something glittering and whole, all done in lyrical language.  I’d also place Robert McFarlane and Peter Mathiessen in this group.  And Rebecca Solnit, as a wide-ranging public intellectual, writing about landscape and art and humanity.  Any of them, give me any of them to meet, to listen to.   

  • Oh yes. I’m imagining a very large table with food and drink and favorite authors gathered. Heaven! Barbara, is there something about you that you’d like to share? 

I love baseball.  And so far it’s been a good year to watch the Dodgers, though I worry about their relief pitching.

This last spring I took two classes at UCLA on writers in early modern Italy.  In one class we read Dante, Boccachio, Machiavelli, and about Michaelangelo, Rafael, Leonardo, Galileo.  The second class was on women’s voices from that same period.  Reading primary sources (in English translation) of women from the 1400s – 1600s is an education in female intellect and oppression and how far we have, and haven’t come in half a millennium.  

  • What’s the best piece of writing advice you’ve received?

At the Port Townsend Writer’s Conference, 2004, from the poet Olga Broumas, at a craft lecture. “Rinse your words.  Hold up the page and let the words and the syllables you don’t need fall off the page.”  

Wow, I love that advice. Seems especially apt for flash fiction. Thanks so much for your time, Barbara! See you soon in Grand Lake!

Barbara’s Bio: A degree in Anthropology.  Grad school:  Paleolithic archaeology, then primate behavior.  Six months in Puerto Rico watching rhesus monkeys.  Drop out with Imposter Syndrome.  Law school.  Work at the Santa Monica Rent Control Board, at Legal Aid, in the City Attorney’s Office.  Poverty law, landlord tenant, employment law.  Every case a story.  Join a writer’s workshop. Married with children.  A boy and a girl, now 35 and 33.  A husband with multiple sclerosis.  Retire after 30 years.  Two dogs, a fluffy white Marilyn Monroe of dogs, and a crazy Pekingese who talks to me.  A stint at the Getty Villa, immersed in myths and spells and ancient lore.  A house with a secret garden:  A tough job, watching the light, but somebody has to do it. 

Note: There is ONE remaining room available for our Grand Lake Retreat (for one or two to share). Consider joining us! We’d love to have you!