Interviews

Going with the Flow: A Conversation with Writer, Francine Witte

Writer Francine Witte will be joining Nancy and me in Grand Lake for our High Altitude Inspiration Retreat. We’re so excited to have her! Francine took some time to chat with me about all things flash.

Hi Francine! First off, I’m interested to know if you’ve ever visited Colorado before.

I have been in Colorado several times. The first time was when I hitchhiked cross country and stayed in a commune in Boulder for a few days. My boyfriend and I broke up there, and I certainly didn’t want to hitchhike back alone, so my parents wired me money, and I took my very first airplane ride.  Most recently, I was in Denver for the 2010 AWP conference. Colorado is so beautiful, and I am looking forward to returning this summer.

You have a fascinating history with the state then. What do you hope to get from our upcoming retreat?

Living in New York City, I am seldom around nature and open sky. So there’s that. And I am really looking forward to having nothing to think about but flash, flash, flash for a couple of days. I am also going to welcome the community of other flash fiction writers. I know many poets in my not-virtual life, but most of the flash fiction writers I know are from Facebook and Twitter. It will be nice to speak in more than 140 characters. (Though with flash, who knows?)

What is a favorite flash of your own?

I like my flash “How to Teach Your Cat to Talk.” It appeared in Jellyfish on October 8, 2018.

Ooh, I love this flash, especially:

“Place his little cat paws against your throat. You don’t like anything touching your throat, but get over it. Your husband is hundreds of miles from here. Make sounds so that your cat can feel the vibrations. Tell him that this is what talking will feel like. Compare it to how the house felt, shaking like a fist.”

What lessons about writing did you learn from being a high school teacher for 20 years?

I learned to write quickly and in small bits. As a teacher, you learn to “monitor and adjust.” There’s a fire drill in fifth period, so your lesson has to change. Half the class is on a field trip, so your lesson has to change. Nobody understood what you were talking about yesterday, so… Well, I learned to apply that to my writing. Go with the flow. Your stories can change right there in the middle. You might only have ten minutes to write. You just always have to monitor and adjust. This is one of the things I like best about flash. You can do a lot in a short amount of time, and flash allows for sudden changes.

That’s so interesting about learning to “go with the flow.” Seems like that would transfer nicely to all aspects of life, including flash writing. Thanks so much for chatting, Francine. We look forward to seeing you in Grand Lake this summer!

Francine Witte is the author of four poetry chapbooks, two flash fiction chapbooks, and the full-length poetry collections Café Crazy (Kelsay Books) and the forthcoming The Theory of Flesh (Kelsay Books)  Her play, Love is a Bad Neighborhood, was produced in NYC this past December. Her Novella-in-Flash, The Way of the Wind, is forthcoming from Ad Hoc Press. She lives in NYC.

Note: A (very) few spaces remain for our beautiful Grand Lake Retreat. We’d love to have you join us for four days of writing and workshopping and inspiration in the Colorado Rockies!

 

 

 

 

 

 

Interviews

On the Expansion & Resonance of Flash & More: A Chat with Chelsea Stickle

Photo by Gail Werner

Nancy and I are excited that Chelsea Stickle will be joining us for our High Altitude Inspiration Retreat in Grand Lake this August! Thanks so much, Chelsea, for taking some time to chat with me. First, what attracted you to the idea of coming to the retreat in Grand Lake?

I can get mired in the day-to-day and sometimes a shake-up is exactly what’s needed. I’ve only been writing flash seriously for about a year, so four days filled with writing and instruction sounds ideal.
What do you love and/or find challenging about flash fiction?
As a reader, I love feeling like I’ve experienced a whole life, a whole world in less than 1,000 words. There’s a feeling of completeness, expansion and resonance that hits harder. As a writer, I love getting to the point. You can’t mess around in flash fiction. You’re in it. How are you going to get out?
What piece of your own writing are you most proud of? Where could we read it (if it’s available)?
I have a story called “Household Extractions” in Five on the Fifth. I spent years trying to tell this story and I kept failing to get it right. I took a Bending Genres class with Bud Smith that was about writing in short bursts, which forced me to stop over-thinking it. I ended up writing for much longer than I was supposed to, but I finally wrote the story I wanted.
Wow, I love this. You allow the strangeness of it to just be. You don’t pass judgment or editorialize for the reader. That makes it all the more effective to me. I’m so glad you linked it as I’d not seen it before. No wonder you’re proud of it! Very strong writing. 
I’d be interested in your thoughts on this Amy Hempel quote, Chelsea:

“I have an increasingly open sense of what a story is. Why not make room for more instead of being restrictive? There are so many kinds of stories! Any time you hear someone say, ‘That’s not a story,’ I think you should question the person, not the story.” ~Amy Hempel

I’ve been reading slush, so I have to admit that I’ve said, “That’s not a story” recently. Which isn’t to say that it couldn’t be a story, but that it isn’t a story yet. There has to be something that differentiates it from an anecdote or a detail. A list of errands can be a story, but there has to be an emotional, core need pushing through. (For example, a post-breakup to-do list would be very revealing.) If you can do that, then anything can be a story.

Totally agree and I bet Amy Hempel would too!
Is there anything strange/funny/quirky/odd/special about you that we wouldn’t know and that you’re happy to share? 
I have loose ligaments, which means the joints that hold my bones aren’t as firm as they could be. So my bones slip out of place. Something’s almost always partially dislocated. It’s not the kind of thing you can see when you look at me, but my joints can make a lot of noise. I could write a symphony with all the cracks, clicks and thunks. So hiking sounds cool, but I’m going to stay inside.
Ah, “somethings almost always partially dislocated.” We won’t make you hike then! But very much looking forward to working with you in lovely Grand Lake this summer, Chelsea.

Chelsea Stickle writes flash fiction that appears or is forthcoming in Jellyfish ReviewCleaver, The Nottingham Review, After the Pause, Five on the Fifth, Crack the Spine and others. She lives in Annapolis, MD with her black rabbit George and an army of houseplants. Find her on Twitter @Chelsea_Stickle.

Note: A few spaces remain for our August High Altitude Inspiration Retreat in Grand Lake Consider joining us and allowing yourself to be inspired and energized in a gorgeous setting. 

Nancy Stohlman, Uncategorized, Writing Prompts & Craft Articles

Flash From Scratch: A Revision Exercise

Sometimes we’ve nitpicked and tinkered our work to death and it still isn’t right. Anaïs Nin says, “Intensive correcting may lead to monotony, to working on dead matter, whereas continuing to write and to write until perfection is achieved through repetition is a way to elude this monotony, to avoid performing an autopsy.”

Once our editing starts to feel like an autopsy, like a Frankenstein of parts stuck together (particularly if we have been working on it for a long time), then the best and quickest way to tackle revision is to write it over, from scratch, without looking.

1960s-business-man-hands-hovering-vintage-images

If that sounds like a huge waste of time, then be grateful you’re writing flash fiction! I give this same advice to all writers, and I have rewritten entire novels from scratch. For real.

Rewriting without looking, while initially infuriating, works wonders, especially if you are stuck. Why? Because all the good stuff from that first draft will make it into the second draft. And all the stuff that was just so-so will improve in the rewrite. Almost magically.

Consider how it works in the visual arts There are often dozens of pre-sketches, studies, and “running starts” at an idea, maybe second, third and fourth attempts at a famous painting. In the Dali museum there are multiple renditions of the melting clocks, for instance; rather than obsessing over one single canvas he made dozens of attempts and filled dozens of canvases until he hit on the famous versions we recognize today.

I remember the first time I had to rewrite without looking. I had a creative writing teacher in college who liked us to compose drafts by hand in class, and then at the end of the class we had to rip out those pages in our notebooks, turn them in, go home and write it over again!

What?!!

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But because we had no choice, we’d all go home and rewrite our drafts from scratch. Surprisingly, the second version was almost always better. Once we quit resisting the process, we discovered that the rewritten drafts were an organic improvement, a maturation of our original ideas, containing all the best parts of the first draft. And all the stuff that was initially weak would automatically improve in the rewrite.

This process works especially well for flash because you can usually rewrite a draft in one sitting. But the process works for everything—poems, novel chapters, scenes, essays, as I said even a whole book at its most extreme. Jack Kerouac rewrote his book On the Road from scratch three times before he hit on the version we read today. A photographer will shoot the same subject hundreds of times to get just one perfect shot.

And as a bonus, when rewritten all at once, the narrative voice of a story will have a natural cohesion, something that may have been missing in a previous version, particularly if it was composed over a long stretch of time or at various intervals.

So for this reason, I suggest closing that document, opening a new one, and rewrite it from scratch, without looking or reading the first draft.

When Hemingway was asked why he rewrote the ending to A Farewell to Arms 39 times, he said, “To get the words right.”

Uncategorized

On Happiness & Choosing the Creative Path by Chris Bowen

Writer/chef Chris Bowen joined Nancy and me for our first ever flash fiction retreat last summer in Breckenridge. (Read Nancy’s interview with him here.) We’re thrilled he’ll be joining us again in Grand Lake this August. We thank him for sharing his reflections and insights on his creative path since Breckenridge.

 

It was nearly a year ago I took part in Nancy and Kathy’s inaugural Breckenridge, Colorado writing retreat. It’s been three or more years since Nancy invited me to Denver for the first time, reading for the FBomb reading series then and even further back, it’s likely been ten years or more since I first met her at a reading in NYC.

But life wasn’t always this much fun. Just recently last year, I lost faith. I lost faith in my career as a chef, living and working in an isolated part of Pennsylvania at a college for almost three years, having left my family and anyone I knew two hours away in Cleveland for corporate salary.

Life isn’t always fun, but it damn well better be meaningful.

Moving home to Cleveland then and taking less responsibility with my employer last fall, I was determined to ‘take a step back.’ I had turned to Nancy in Breckenridge even that summer on where my life was going, the fact that I was so unhappy and had been for awhile. I still remember the gray, weather-worn wooden picnic table we sat at in the mountain backyard when I told her that, the kind you look for rusty nails sticking out of before you sit. The heat of the afternoon sun. I had joined the retreat to cook for authors and attendees and aside from sitting in on a couple craft talks between prepping meals, this conversation was the only thing I ever needed.

We talked about happiness, France, doing things by and for yourself. Because anyone only has so little time. Between the talk, it was clear I needed to re-evaluate my life somehow. So, I ended up moving home to find retreat in the only thing strong I really knew I could: my family.

Six months in, I’m a part-time student finishing my bachelor’s degree, but more importantly,  have settled in Denver near those mountain. And writing.

There’s something intimidating about these vistas, how they were formed, how strong they are, how difficult it is to reach them as if ghosts just out of reach.

‘If you can’t inspire yourself, how can you ever expect to inspire others?’ they whisper to me.

I think of the ending to Robert Redford’s movie, ‘A River Runs Through It,’ his voiceover at the end:

“Eventually, all things merge into one and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops, under the rocks are the words. And some of the words are theirs. I am haunted by waters.”

I see mountains every day. They remind me of how little I am, how short of time we all are. I don’t know if I’ll live here forever or climb a mountain, but I do know whatever I choose, it will be because I wanted to and because it made me happy.

Christopher Bowen is the author of the chapbook We Were Giants, the novella When I Return to You, I Will Be Unfed, and the non-fiction, Debt. He blogs from Burning River and has traveled throughout the U.S.  

Note: A few spots remain in our August High Altitude Inspiration Retreat in Grand Lake. Consider joining us! We’d love to have you. 

Interviews

The Fellowship of Other Creatives: Onward to Italy with Beth Gilstrap

Nancy and I are so looking happy that Beth Gilstrap will be joining us in Casperia for our Springtime in Italy Retreat this May! Beth generously took some time to chat with me. 

 Hi Beth! First, will this be your first visit to Italy? 

 This will be my first trip to Italy. I’ve been to Turkey, Czech Republic, Hungary, England, Scotland, Canada, and Mexico but never Italy. I am so excited as it’s a long time dream to visit.

 What are you most hoping for, for the retreat this May? 

 Travel and getting out of my comfort zone are always great for generating new material. I hope to focus on starting a new collection and building relationships with fellow writers. I live in Charlotte, NC, which though it has its perks, isn’t a great city for writers. Anytime I can take a break and bond with my people, I find it helps me make it through the rest of my time spent in a banking town.

 We’re gathered at Palazzo Forani, a bunch of writers from all over the world, communing over pasta and freshly baked bread and local wine…who is your dream guest or dream ghost that’s there with us?  

Oh goodness. Aside from an Italian grandma who I’d beg to adopt me and teach me her ways, I’d have to say Anthony Bourdain if we’re talking ghost. And if we’re talking guest, Samin Nosrat of Salt, Fat, Acid, Heat. I’m obsessed with words and food and would follow those two anywhere though I doubt they’d want me as a sidekick since I’ve been vegetarian most of my life.

 Ah, great choices. What fun Anthony Bourdain would be. I’m sort of obsessed with Salt, Fat, Acid, Heat too! Switching gears now, I’m interested to know what’s your favorite story, poem, essay, flash, that you’ve written and why?

I still love this old one about the kind of fellowship you only find amongst other creatives. It’s calledSpaghettification.” I love to read this one because the rhythm becomes almost feverish.

Beth, this is gorgeous. I love this:   

Now…can you tell us something about you that’s wonderful, weird, unique, funny, endearing…whatever? 

One time I volunteered for a local cat shelter. I bottle fed some orphaned kittens and wound up keeping them. I have four cats and two dogs and wouldn’t have it any other way.

Aw, I love it. It says a lot about you, Beth. We’re so looking forward to seeing you in Italy this May. Thanks for chatting with me!

Beth Gilstrap is the author of I Am Barbarella: Stories (2015) from Twelve Winters Press and No Man’s Wild Laura (2016) from Hyacinth Girl Press. She serves as Fiction Editor at Little Fiction | Big Truths and a reader at Creative Nonfiction.Her work has been selected as Longform.org’s Fiction Pick of the Week and recently selected by Dan Chaon for inclusion in the Best Microfiction Anthology. Her work has appeared in Ninth Letter, Queen Mob’s Teahouse, The Minnesota Review, Hot Metal Bridge, and Little Patuxent Review, among others.

Note: Our “Springtime in Italy” Retreat is sold out, but we’re taking registrations for our Flash Fiction Summer Camp in Grand Lake, CO this August and have just opened registrations for Writing Wild in Costa Rica in March, 2020! We’d love for you to join us!