Kathy fish, Nancy Stohlman, Uncategorized

Everything is a Story: Reflections and photos from the 2022 Spanish Flash Fiction Retreat

Salon night (photo by Georgiana Nelsen)

From Nancy Stohlman:

Wow! The Spanish retreat was an incredible experience. The combination of novelty, space, time, and total immersion with other creatives, spending a week with your tribe, pushed and encouraged, detoxing from the usual distractions to enter that space of raw creativity is both deeply healing and deeply inspiring. On a retreat we remember that everything is a story waiting to happen.

writing (photo by Chelsea Stickle)

We had a wide range of amazing writers—from published to unpublished, brand new to flash all the way to flash veterans; we had a pair of friends reuniting from two different countries, a pair of sisters reconnecting in the yurts, and people representing California, Baltimore, Texas, New York City, Portugal, France, Spain, Qatar, and of course Denver, doubly represented (by Nancy and Kathy).

There was a group hammock, fiery sunsets, and (multiple!) spontaneous performances of the Grease soundtrack. There were massages and hikes in the Sierra Nevada mountains. And there were surprises of course, part of any good adventure. From the exploding chairs to the nudist beach to the historic heat wave that swept Europe during our retreat (!), all that material filtered through our bodies and onto the page. We risked both vulnerability and connection and we bonded and played and ate and wrote—a lot.

workshop (photo by Lizzie Woolfenden)

And we were fed—oh yes. The food was as beautiful as it was delicious and all vegetarian. We were so inspired that we wrote a group poem (and sang a song!) to the many cooks and kitchen angels who spoiled us all week.

the food! (photo by Nancy Finston)

We were the first group of writers to visit House of Light, and they learned as much about us as we did about them—including the copious amounts of coffee and wine consumed (sangria happened!)—and we were delighted that the owners joined us for our final night reading.

Salon night (photo by Nancy Finston)

We reconnected with our writing and remembered that inspiration often comes at the crossroads between novelty and play. If we are too comfortable, or too serious, the words get stuck. After a week in Spain the words, ideas, and friendships are flowing!

I’m so grateful to my co-facilitator, Kathy, and to each one of the amazing writers who said yes to an Andalusian adventure. I raise my pen to all of you!

cheers! (photo by Nancy Finston)

From Kathy Fish:

The House of Light in Órgiva was a unique, magical space for us to gather. We were fed meals almost too beautiful to eat, we woke to birdsong, and ended our days with late sunsets bathing the hills in gold. Our group quickly gelled and became friends and encouraging cohorts. I found myself inspired by their energy and enthusiasm and all the beautiful stories they created, and cheered by the conversation and laughter at mealtimes and around the pool. The highlight for me was (as always) our salon night. The resident cats and dogs came around, too, as if they’d been invited or they were just curious about what us humans were up to. The readings that final night were superb. All in all, this retreat was an amazing experience I won’t soon forget. Thanks to everyone who took part.

workshop (photo by Lizzie Woolfenden)

from Cheryl J. Fish:

From Cheryl’s blog: “Thinking about the flash fiction workshop I just experienced feels like a re-birth. So much of what I know about story was reinforced, and yet there’s much more to realize and expand into. In flash you don’t explain. Inunendo rules in fiction that comes in under 1,000 words. It’s an opportunity to prove less is more. After twice-a-day workshops and prompts with Kathy Fish and Nancy Stohlman, and a wonderful group of writers from all over the place, I am ready to up my game in the micro and flash fiction worlds.”

the view (photo by Cheryl J. Fish)

From Philippa Bowe:

The Andalusian retreat with Nancy and Kathy was a delight from beginning to end. Workshops were enriching, enlightening, fun, creative, productive. Add in fabulous food, sunshine and company and you have an experience that, as a writer, is pretty near heaven on earth.

Writers and friends (photo by Chelsea Stickle)

From Pedro Ponce:

You will leave this retreat well-fed, rested, and, most importantly, inspired! Thank you Nancy and Kathy!

Workshop (photo by Lizzie Woolfenden)

From Marina Pacheco:

I learned a great deal at the retreat. Nancy and Kathy were fantastic tutors who took me on a journey of discovery that resulted in handfuls of new flash writing for me.

writers and friends (photo by Chelsea Stickle)

From Dorothy Rice:

What a wonderful group you brought together! I had such a great time and I feel really good about the writing I accomplished as well. The stories I wrote are so different from what I usually do, and there was something very freeing in that.

writing with a view (photo by Nancy Finston)

More photos from our gallery:

Salon Night (photo by Kathy Fish)
The view (Georgiana Nelsen)
At the beach! (photo by Georgiana Nelsen)
Consultations (photo by Lizzie Woolfenden)
the food (photo by Nancy Finston)
the beach (photo by Georgiana Nelsen)
Salon Night (photo by Cheryl J. Fish)
The light (Georgiana Nelsen)
food! (photo by Georgiana Nelsen)
Group Hammock (Georgiana Nelsen)
writing (photo by Lizzie Woolfenden)
windows of inspiration (photo by Nancy Stohlman)
food with a view (photo by Nancy Stohlman)
Andalusian sunset (photo by Nancy Stohlman)
workshop (photo by Lizzie Woolfenden)
salon night (photo by Nancy Stohlman)
Kathy and Nancy (photo by Chelsea Stickle)
Sangria and see you next time! (photo by Lizzie Woolfenden)

Next: August Flash Fiction Retreat in Grand Lake, Colorado!

2023 Retreats will be announced in the fall—get on the waiting list for first access!

Kathy fish, Writing Prompts & Craft Articles

Your Final Quarantine Prompt: How Art is Born

Well, friends, I had wanted to offer you all something profound for this last prompt. But as it often does– more so lately–life got in the way. I developed an ocular migraine which made it impossible to read or write. It left me exhausted. Tapped out. Drained. I sat in my tiny basement office with the window facing my backyard and watched the snow fall heavily, weighing down the branches of the freshly leafed out trees. I worried about the destruction a heavy, wet, spring snow might bring them. I thought of how nature sometimes is unpredictable and unwieldy and…terrifying. But this spring snow will melt and soak into the earth and the greenest grass imaginable will emerge from it. There is an artfulness to chaos even when it make us uncomfortable. 

I love this quote by abstract expressionist artist Helen Frankenthaler:

So for today, what if you simply write? Without a word bank or first sentence or situation supplied to you (i.e., “a man and a woman argue in a crowded cafe without saying anything…include a purple chapeau”). Okay, use that if inspires you! But today, I’m granting you permission to write freely, without direction or rules. 

Consider this wisdom from Rebecca Solnit:

Write. There is no substitute. Write what you most passionately want to write, not blogs, posts, tweets or all the disposable bubblewrap in which modern life is cushioned. But start small: write a good sentence, then a good paragraph, and don’t be dreaming about writing the great American novel or what you’ll wear at the awards ceremony because that’s not what writing’s about or how you get there from here. The road is made entirely out of words. Write a lot. Maybe at the outset you’ll be like a toddler—the terrible twos are partly about being frustrated because you’re smarter than your motor skills or your mouth, you want to color the picture, ask for the toy, and you’re bumbling, incoherent and no one gets it, but it’s not only time that gets the kid onward to more sophistication and skill, it’s effort and practice. Write bad stuff because the road to good writing is made out of words and not all of them are well-arranged words.”*

*From “How to Be a Writer: Ten Tips from Rebecca Solnit” in Lit Hub.

I’ve always believed the best “ideas” spring organically from the act of writing itself. So go write. Set a timer for 15 minutes and keep your hand moving across the page. Maybe turn it sideways. Scribble. Write with a crayon. Make a huge, glorious, chaotic mess. 

That’s it, my friends. Nancy and I will keep these prompts here for you to access any time you need them. For now and always, I’m sending you well wishes, strength, and love. ❤

Kathy fish, Writing Prompts & Craft Articles

Day 28 Prompt: Strange Beauty: A Microfiction Prompt

Read the strangely beautiful “The Two-Headed Calf” by Laura Gilpin, generally considered a poem, but it feels like a microfiction to me:

 

 

The Two-Headed Calf

 

Tomorrow, when the farm boys find this

freak of nature, they will wrap his body

in newspaper and carry him to the museum.

But tonight he is alive and in the north

field with his mother. It is a perfect

summer evening: the moon rising over

the orchard, the wind in the grass.

And as he stares into the sky, there

are twice as many stars as usual.

 

Now write your own micro (try for 75 words or fewer), perhaps involving a strangely beautiful creature, real or fictional, and emulate this structure: “Tomorrow…(then) “Tonight…”

 

Kathy fish, Writing Prompts & Craft Articles

Day 26 Prompt: A Plan Gone Awry

I’ve been struck lately by how many events have had to be cancelled due to lockdown. We humans LOVE to plan for things. The anticipation is often just as fun as the event itself. At any rate, the old saying, that God laughs at your plans, seems particularly apt these days.

For Day 26, your prompt is to write a flash about plans gone horribly awry. There’s a lot of tension and conflict to exploit in that idea alone. Examples:

  • A botched caper.
  • A trip delayed or cancelled or upended by something unexpected (A Good Man is Hard to Find)
  • Mercury in Retrograde times 1000.
  • Perhaps the PLAN is very detailed and specific, somebody has gone to a lot of trouble to make it. 

To heighten things even further, let’s say one character is extremely STUBBORN and INFLEXIBLE and the other is low-key and happy to go with the flow. I’m thinking of Neil Simon’s The Out-of-Towners. Write into the humor and tension that occurs when two such characters must face a carefully planned itinerary that’s botched by a series of accidents, mishaps, and misfortunes. How your characters deal with adversity says a lot about them. Do they prevail in the end? Remember that “trouble” is inherently interesting to your readers. 

 

Kathy fish, Writing Prompts & Craft Articles

Day 24 Prompt: What’s Said and Unsaid

Jo and Laurie have a conversation.

Powerful dialogue. It’s one of the most important craft tools in the writerly toolkit. Yet writers are often stymied when confronted with the task of writing good dialogue, so they simply leave it out. Dialogue can be direct or summarized, but the best, most potent, revelatory, tension-filled dialogue ought to be given directly. Why deny your reader the pleasure?

Screenwriter Maggie Sulc, in this article, advises to take our cues from actors when writing dialogue, to examine the character’s desire:

“Your language can be poetic and lyrical or blunt and straightforward, but if there isn’t a clear desire behind it, then there’s no reason for it to be spoken and, therefore, it shouldn’t be dialogue.”

Today I want you to write a conversation that features underlying or overt tension. Perhaps like Jo and Laurie in Little Women your characters want different things. Or one wants something the other can not or will not give to them. You can do anything you want with this, but I want all the window dressing to be pared down.

Focus on ACTION and DIALOGUE. And make every word sing. 

Leave stuff out. Often the most telling aspects of dialogue are what the characters are NOT saying.

Don’t make this a ping pong match. In real life, people don’t always answer questions. Real dialogue is full of unfinished sentences, of non-sequiturs and detours.

Make your characters sound different. This is very important. And a great way to characterize. Does one speak in full sentences while the other murmurs fragments? Does one of your people have some sort of vocal tic?

And how do they move about? Use body language to its fullest advantage.

Fill it up with subtext, undercurrents of emotion. What do these people want that has gone unspoken?