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Kathy fish, Writing Prompts & Craft Articles

Day 24 Prompt: What’s Said and Unsaid

Jo and Laurie have a conversation.

Powerful dialogue. It’s one of the most important craft tools in the writerly toolkit. Yet writers are often stymied when confronted with the task of writing good dialogue, so they simply leave it out. Dialogue can be direct or summarized, but the best, most potent, revelatory, tension-filled dialogue ought to be given directly. Why deny your reader the pleasure?

Screenwriter Maggie Sulc, in this article, advises to take our cues from actors when writing dialogue, to examine the character’s desire:

“Your language can be poetic and lyrical or blunt and straightforward, but if there isn’t a clear desire behind it, then there’s no reason for it to be spoken and, therefore, it shouldn’t be dialogue.”

Today I want you to write a conversation that features underlying or overt tension. Perhaps like Jo and Laurie in Little Women your characters want different things. Or one wants something the other can not or will not give to them. You can do anything you want with this, but I want all the window dressing to be pared down.

Focus on ACTION and DIALOGUE. And make every word sing. 

Leave stuff out. Often the most telling aspects of dialogue are what the characters are NOT saying.

Don’t make this a ping pong match. In real life, people don’t always answer questions. Real dialogue is full of unfinished sentences, of non-sequiturs and detours.

Make your characters sound different. This is very important. And a great way to characterize. Does one speak in full sentences while the other murmurs fragments? Does one of your people have some sort of vocal tic?

And how do they move about? Use body language to its fullest advantage.

Fill it up with subtext, undercurrents of emotion. What do these people want that has gone unspoken?

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Day 23: Bonus Unexpected Sabbatical April 7–Reverse

“Sometimes what you think is an end is only a beginning. And that wouldn’t do at all.”
― Agatha Christie

“Since when,” he asked,
“Are the first line and last line of any poem
Where the poem begins and ends?”
― Seamus Heaney

backwards-tux

 

I’ve always been fascinated by stories told backwards, and I just discovered that there is an actual term for it: reverse chronology. #thingsIlearnedinquarantine

So…let’s fast forward to the end.

Your prompt:

Tell a story that begins at the end and works its way backwards.

 

quote-now-this-is-not-the-end-it-is-not-even-the-beginning-of-the-end-but-it-is-perhaps-the-end-of-winston-churchill-37226

 

if-you-watch-the-movie-jaws-backwards

 

In solidarity! xoxoN

 

Kathy fish, Writing Prompts & Craft Articles

Day 22 Prompt: Face the Strange: The Uncanny

From Wikipedia: “The uncanny is the psychological experience of something as strangely familiar, rather than simply mysterious. It may describe incidents where a familiar thing or event is encountered in an unsettling, eerie, or taboo context.”

As to the use of the uncanny in fiction:

“There’s a power and weight to this type of fiction, which fascinates by presenting a dark mystery beyond our ken and engaging the subconscious. Just as in real life, things don’t always quite add up, the narrative isn’t quite what we expected, and in that space we discover some of the most powerful evocations of what it means to be human or inhuman.” ~Jeff VanderMeer, “The Uncanny Power of Weird Fiction,” The Atlantic

“The uncanny freaks the reader out because it isn’t quite right – it taps into our understanding of the world and patterns around us and renders them slightly ‘off’.” ~Robert Wood, in this great article. 

Read “Day of the Builders” by Kristine Ong Muslim in Weird Fiction Review, which opens eerily like this:

“This happened long before the initial signs of sickness from the outsiders rippled across my village. You should understand by now how my people were easy prey because most of us were trusting, greedy for finery, and readily distracted by new things or any semblance of finesse.”

I’m struck by the world-building of this story, how familiar it feels, while at the same time so uncannily “off” in every way. 

So much of our world, our once familiar landscape, our interactions, have taken on an uncanny quality during this pandemic: The eerily deserted streets of the big cities, for example. People wear protective masks in the supermarket. A man pours wine out his apartment window into the glass of a woman leaning out her window on the floor below. Goats roam free in villages. We can draw on these uncanny images, this unsettled feeling, in our writing. 

Today, I’d like you to face the strange in your flash fiction. Explore something that is oddly and unsettlingly familiar. What happens when a normally benign event takes an eerie or inappropriate turn, for example? Challenge yourself to take a subtle approach with this.

Consider how Hitchcock uses the uncanny in his films, for example, the “uncanny double” of Marion and Norman in the film, Psycho:

If you need a nudge, try using these below (from Psycho) to get you started:

shower curtain

owl

cash

mother

“We all go a little mad sometimes.”

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Day 21: Bonus Unexpected Sabbatical April 5–Celebrity Cameo

I’ve been finding it interesting how, in this streaming, online version of our lives, celebrities seem less exalted, more normal, also wearing their sweatpants, also struggling, also hoping. Also reaching out. The dividing line between the stage and the audience seems to have been breached, and maybe that’s a good thing.

In fact, here are a bunch of celebrities singing John Lennon’s “Imagine“:

So…your prompt:

Write a story that includes a celebrity (cameo or other) appearance.

collage-sing-imagine-640x480-640x480-1

Happy writing!

Kathy fish, Writing Prompts & Craft Articles

Day 20 Prompt: Three Songs, Three Decades

This is a prompt I used in one of my Fast Flash Reunion Extravaganzas (this summer will be my 5th anniversary of teaching Fast Flash!).

Songs are hugely evocative. You know those songs you hear the first few notes of and are instantly and vividly transported to another time in your life? Here, I want you to find 3 songs from 3 different decades of your life. If you’re still in your twenties, get out of here! No, I’m kidding. If you’re still in your twenties just find three songs that were recorded during your lifetime.

I want you to write a one paragraph flash for each song. The songs may serve as the titles for each one paragraph flash, they may be mentioned within your one paragraph flashes, or they may just serve as inspirations for your one paragraph flashes.

Go HERE to find what was the #1 song on the day you were born (Mine was “It’s Now or Never” by Elvis Presley).

The result should be a trio of microfictions that feel somehow connected. If you want to give the trio an overarching title, go ahead.

Also, you may approach this as fiction or memoir or some hazy blend of both. Try to write these very tightly, for a total of fewer than 500 words if possible.

Rock on, my friends. xo

Kathy